Interview with Amanda Sage: Painter of Revolution – by Carrie Ann Baade
Amanda Sage talks to Carrie Ann Baade about humanity, painting, the ‘Ana-Suromai’ and the symbolic act of ‘lifting the skirt’. Continue reading
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Amanda Sage talks to Carrie Ann Baade about humanity, painting, the ‘Ana-Suromai’ and the symbolic act of ‘lifting the skirt’. Continue reading
We’re very excited to announce that we will be publishing the first comprehensive art book on Chet Zar which will be released in early 2012. Continue reading
Philippe Guillerm's curvaceous violin sculptures are certainly a sight to behold. Their expressive poses give these well crafted string instruments much life as though each sculpture has its own personality. I imagine they would make a great subject for an animation. One could leap from a violinists arms and land gracefully to perform interpretive dance movements to the sound of moody classical music. But before I follow this tangent to its tragically corny end, I'd like to say that I am very impressed with Philippe's work, only I would like to see them photographed in a more creative setting with dramatic lighting.
Here is a short excerpt I found on Phiippe's website:
Guillerm's music-inspired sculptures are whimsical and curvaceous string instruments, he uses the theme as a way of expressing human nature and needs, you see an instrument, he sees an attitude.