by Joshua Burton » Sat Sep 08, 2007 4:00 pm
Yes, thank you. I understand what you're saying completely, symmetry is for boats and early American presidential estate houses and plantations. But I believe there's something good to come from this, and symmetry is not something I'm fully against exactly... it's a composition/technical no-no, but I don't like rules.
I do want to repeat that I'm not sure where I'm going with these. I don't traditionally like tradition, so these would never be presented as they are, in a frame on a wall, at least not by my request.
I'm unsure about which option I should chose to bring these a step further, but I know that another step or 15 need to take place before I am interested in them. What I find that IS interesting in the mirroring and overlapping of the photographs, and their resulting symmetry, is the recognizable shapes that begin to form. I think this idea can definitely be brought to the realm of paint, to give the shapes I find a life of there own.
It feels like a good thing to bring to paint, it has a definite level of unsurity, a sense of it being a puzzle etc.. and they all have some emotional/mental significance to me, being based on photographs I took. So the realms of logic and expression can really come together on this, I hope, and make something that has more of it's own consciousness than these images here.
Thank you for responding, and your honest opinion.
Off topic somewhat: You have some excellent photographs on your site. Are you shooting digital-only? I specifically like the few where it looks like you secluded and lit dryed vegetation on a black background. Some of them have a film-feel to them, but it's so hard to tell online.
Peace,
-Josh
Art is life, life is subjective.