beinArt International Surreal Art Collective - The ever-expanding online gallery of surrealist, psychedelic, esoteric, outsider, fantastic, lowbrow, erotic & visionary artists

Art News

From INSCAPE To Art of Imagination

The following article was written by Brigid Marlin. This is the first time it has been published online. Thank you Brigid.

Brigid Marlin’s Gallery"In 1960  a few young artists in England banded together to study techniques of painting, and to inspire each other. We called ourselves the INSCAPE  group, because we wanted to depict the inner landscapes of the mind. We met in Peter Holland’s studio in the attic, where we could pour gesso over everything and splash paint on top. Peter was an inventor as well as an artist and created robots that could serve us tea. It was an inspiring time. We all worked together intensively, preparing gesso panels, and painting vigorously to the sounds of music for inspiration, varied occasionally by odd recordings Peter had made of the amplified sound of snails eating cabbage. Peter specialized in Surreal pictures of umbrellas; Jack Ray did Cathedrals in copper and resin, and Steve Snell, Alan Senior and I did Visionary paintings.

The Inscape Group flourished, and we were joined by artists Richard Jones, who was a dwarf and painted powerful pictures of dwarves, Christiane Kubrick, who painted magic realism, Jan Clutterbuck our first watercolourist and Diana Hesketh, our first Sculptor.

We began to show our work abroad, and were invited by Ernst Fuchs to take part in an unusual Summer Seminar at a huge Castle in the Austrian mountains.

Ernst Fuchs had gathered artists from all over the world; America, Japan, Iceland, Sweden, Germany, Israel. Artists set up their easels;- some in turrets, some in the balconies or the vast high ceilinged rooms, and we vied with each other to produce our greatest masterpieces, exchanging ideas and techniques It became the sort of artistic Brotherhood I had always dreamed of.

Ernst Fuchs’s GalleryErnst Fuchs showed us the astonishing egg tempera and oil technique of the Italian Renaissance Masters, which he had rediscovered after much research, and now called the ‘Mische Technique’. We worked in layers of white egg tempera separated by coloured glazes. It took us far beyond our own approaches to studying technique.

In the evenings everything changed, and we became just as eager to have fun! There was dancing, singing, and heated discussions about Rembrandt, Vermeer and Jackson Pollock in corners. Wolfgang Manner, who directed the Seminar and was also a Mountain Rescue leader, would umpire heated discussions (possibly brought on by the Schnapps made by the local farmers from cherries) between  New Yorker Phil Jacobson (who now leads Summer Seminars himself), an Icelander known as "Fishfingers" and Yoko Shiraishi (who's mother had bright pink hair and was the top Japanese poet).

Ilan Kutz, a Major in the Israeli Army, who had just returned from the Entebbe raid, played and sang for us all on his guitar. Elisa Halvegard from Sweden made garlands of flowers for everyone to wear, and embroidered fairies on people’s clothes in odd places when they weren’t looking. At night the poorer artists slept in a dormitory and when one couple started sharing a bed, and being  too noisy, Richard Jones got up and poured a jug of water over them. There were some strange characters there. Marielle (from Germany) got up early every morning to collect butterflies, and was enraged when Joseph (from Haarlem, New York), ate them.

At the end of the Summer there was an Exhibition in the Great Ballroom of the Castle, and the local dignitaries were invited to the Opening and a Masked Ball.

Richard- who although he is a dwarf has a giant voice - stood at the top of the Grand Staircase wearing a black cape and a sword (he said he was Draculet). He held up a flaming seven branched cantlestick and shouted; “Men can only speak to the Gods through the Dwarves. But the Men are killing all the Dwarves. And soon, the Men will no longer be able to hear the voices of the Gods!” Then he staggered into the gardens and was sick.

Back home in England when everyone had recovered we decided that this was a marvelous experience, and returned every year for over a decade. Then in 1993 Ernst Fuchs called a meeting in Metternich Castle in Austria for Imaginative artists and Patrons. There Laurie Lipton and I met H R Giger, Bruno Weber, De Es Schwertberger, Mati Klarwein, and Mauro Albarelli,  Ernst Fuchs asked us all to work to help promote Fantastic and Visionary Art, and thanks to Inscape International we were ready to form the Society for Art of Imaginaton, which is open so we changed the small INSCAPE Group' into the SOCIETY FOR ART OF IMAGINATION; open to any imaginative artist in the world. Since then we have been privileged to help many artists to further their careers, and to stage Exhibitions all over the world. It has become truly a Brotherhood of Artists!"

Brigid Marlin is also one of 50 artists published in: Metamorphosis.

If you're new here, you may want to subscribe to my RSS feed. Thanks for visiting!

Leave a Reply

You must be logged in to post a comment.

TOP
Metamorphosis Art Book - 50 Surreal, Fantastic and Visionary Artists

Jon Beinart founded The beinArt Surreal Art Collective & beinArt Publishing (Metamorphosis) in 2006. beinArt.org was designed and is maintained by Leo Plaw. All artists have granted permission to be featured on this website. All art herein is copyrighted and may not be reproduced without the express permission of the respective artists. beinArt.org represents contemporary artists who lean towards: Fantastic Realism, Surrealism, Symbolism, Pop Surrealism, Lowbrow, Psychedelic, Visionary, Esoteric, Erotic & Macabre Art.